{"id":4,"date":"2014-03-15T17:07:59","date_gmt":"2014-03-15T17:07:59","guid":{"rendered":"https:\/\/craigscreens.blog.oldabbeytheatre.net\/?page_id=4"},"modified":"2014-04-09T18:47:16","modified_gmt":"2014-04-09T18:47:16","slug":"research-sources","status":"publish","type":"page","link":"https:\/\/craigscreens.blog.oldabbeytheatre.net\/?page_id=4","title":{"rendered":"Research Sources"},"content":{"rendered":"<p><strong style=\"font-size: 12pt; line-height: 1.5em;\">Research materials related to Edward Gordon Craig&#8217;s &#8216;screens&#8217; concept<\/strong><\/p>\n<ul>\n<li>Buckley, Jennifer.\u00a0<em><a href=\"http:\/\/academiccommons.columbia.edu\/download\/fedora_content\/download\/ac:163660\/CONTENT\/Buckley_columbia_0054D_10298.pdf\">Print, Performance, and the European Avant gardes, 1905-1948<\/a><\/em>. New York: Columbia University, 2011. Web. 24 Feb. 2013.<\/li>\n<li>Baugh, Christopher, Gavin Carver and Cat Fergusson. &#8220;<a href=\"https:\/\/web.archive.org\/web\/20071110065714\/http:\/\/www.scenography-international.com\/journal\/issue1\/gordoncraig.pdf\">Patent No 1771: Gordon Craig and &#8216;Improvements in Stage Scenery&#8217;, 1910<\/a>.&#8221;\u00a0<em>Scenography International<\/em>\u00a01.1 (1999): n.pag. Web. 10 Nov. 2013.<\/li>\n<li><span style=\"font-size: 12pt; line-height: 1.5em;\">Craig, Edward.\u00a0<\/span><em style=\"font-size: 12pt; line-height: 1.5em;\"><a href=\"https:\/\/archive.org\/details\/ontheartofthethe030294mbp\">On the Art of the Theatre<\/a><\/em><span style=\"font-size: 12pt; line-height: 1.5em;\">. 5th ed. London: William Heinemann Ltd., 1957. Web. 25 Feb. 2014.<\/span><\/li>\n<li><span style=\"font-size: 12pt; line-height: 1.5em;\">Craig, Edward and The School for Art and Theatre.\u00a0<\/span><a style=\"font-size: 12pt; line-height: 1.5em;\" href=\"https:\/\/archive.org\/stream\/cu31924026123368#page\/n0\/mode\/2up\"><em>A Living Theatre: The Gordon Craig School, the Arena Goldoni, the Mask; Setting Forth the Aims and Objects of the Movement and Showing by Many Illustrations, the City of Florence [and] the Arena<\/em><\/a><span style=\"font-size: 12pt; line-height: 1.5em;\">. Florence: The School for Art and Theatre, 1913. Web. 26 Feb. 2014.<\/span><\/li>\n<li><span style=\"font-size: 12pt; line-height: 1.5em;\">Fisher, James. \u2018<a href=\"http:\/\/www.taj.tau.ac.il\/images\/stories\/pdf\/volume-1-issue-1\/fisher.pdf\">\u201cAn Idealist\u201d: The Legacy of Edward Gordon Craig\u2019s Formative Productions, 1900-1903<\/a>.\u2019\u00a0<em>The Arts Journal: Studies in Scenography and Performance<\/em>\u00a01.1 (2009): 1-23. Web. 19 Feb. 2014.<\/span><\/li>\n<\/ul>\n<p><strong><strong>\u00a0Research materials related to\u00a0<\/strong>W.B. Yeats and The Hour-Glass<\/strong><\/p>\n<ul>\n<li>Blau, Herbert. Language and Structure in Poetic Drama. <em>Modern Language Quarterly<\/em> 18.1 (1957): 27\u201334. Print.<\/li>\n<li>Dorn, Karen. \u2018Dialogue Into Movement: W.B. Yeats\u2019s Theatre Collaboration with Gordon Craig\u2019. <em>Yeats and the Theatre<\/em>. Ed. O\u2019Driscoll, Robert and Lorna Reynolds.\u00a0London: Macmillan, 1975. 109\u2013137. Print.<\/li>\n<li>Flannery, James. \u2018Staging the Phantasmagorical: The Theatrical Challenges and Rewards of W.B. Yeats\u2019. <em>Irish University Review<\/em> 26.1 (1996): 92\u2013106. Print.<\/li>\n<li>&#8212;. \u2018W.B Yeats, Gordon Craig and the Visual Arts of the Theatre\u2019. <em>Yeats and the Theatre<\/em>. Ed. O\u2019Driscoll, Robert and Lorna Reynolds. London: Macmillan, 1975. 82\u2013108. Print.<\/li>\n<li>&#8212;. <em>W. B. Yeats and the Idea of a Theatre: The Early Abbey Theatre in Theory and Practice<\/em>. London: Yale University Press, 1976. Print.<\/li>\n<li>Seskine, Masaru. \u2018Noh and Yeats: A Theoretical Analysis\u2019. <em>Ariel<\/em> 26.4 (1995): n. pag. Print.<\/li>\n<li>Seskine, Mararu and Christopher Murray. <em>Yeats and the Noh: a Comparative Study<\/em>. Savage: Barnes and Noble, 1990. Print.<\/li>\n<li>Kato, Eileen. \u2018W.B. Yeats and the Noh\u2019. <em>The Irish Review (1986-)<\/em> 42 (2010): 104\u2013119. Print.<\/li>\n<li>Taylor, Richard. <em>The Drama of W.B. Yeats: Irish Myth and the Japanese N\u00f3<\/em>. London: Yale University Press,\u00a01977. Print.<\/li>\n<li>Yeats, William, and Ulick O\u2019Connor. <em>The Yeats Companion: With a Biographical Portrait<\/em>. London: Pavilion Books, 1990. Print.<\/li>\n<\/ul>\n<p><strong>Research materials related to other relevant plays<\/strong><\/p>\n<ul>\n<li>Alspach, Russell. Ed.\u00a0<em>The Variorum Edition of the Plays of W.B. Yeats<\/em>. New York: n.p. 1957, Print.<\/li>\n<li>Cave, Richard. Ed.\u00a0<em>W.B. Yeats: Selected Plays<\/em>. London: Penguin Group, 1997. Print.<\/li>\n<li>Miller, Liam.\u00a0<em>The Noble Theatre of W.B. Yeats<\/em>. Dublin: The Dolmen Press, 1977. Print.<\/li>\n<li>Yeats, William.\u00a0<a href=\"https:\/\/archive.org\/details\/deirdre00yeatgoog\"><em>Deirdre by W.B. Yeats: Being Volume Five of Plays for an Irish Theatre<\/em><\/a>. Dublin: Maunsel and Company Limited, 1907. Web. 06 Apr. 2014.<\/li>\n<li>&#8212;. <em><a href=\"https:\/\/archive.org\/stream\/foririshtheplays00yeatrich#page\/n7\/mode\/2up\">Plays for an Irish Theatre: With Designs by Gordon Craig<\/a><\/em>. 2nd ed. London: A.H. Bullen, 1913. Web. 25 Feb. 2014.<\/li>\n<\/ul>\n<p><strong style=\"font-size: 12pt; line-height: 1.5em;\"><strong>Research materials related to general s<\/strong>tage lighting\u00a0<\/strong><\/p>\n<ul>\n<li>Denard, Hugh. &#8216;<a href=\"http:\/\/blog.oldabbeytheatre.net\/archives\/38\">Meeting Zia Holly<\/a>.&#8217;\u00a0<em>Abbey Theatre, 1904: Digitally Reconstructing Dublin&#8217;s Original Abbey Theatre<\/em>.\u00a0Trinity College Dublin Long Room Hub and NOHO, 18 Jan. 2011.\u00a0Web. 13 March 2014.<\/li>\n<\/ul>\n<p><strong>Computer software used and cited in the project<\/strong><\/p>\n<ul>\n<li>Adobe Systems Incorporated.\u00a0<em><a href=\"http:\/\/www.adobe.com\/products\/photoshop.html\">Adobe Photoshop<\/a><\/em>. Ver. CS5 Extended v12.0 x 32. Computer software, 2010. PC. Disc.<\/li>\n<li>Sketchfab.\u00a0<a href=\"https:\/\/sketchfab.com\/\">Sketchfab<\/a>. Computer software, 2014. PC. Web. 06 Apr. 2014.<\/li>\n<li>Solid Iris Technologies.\u00a0<em><a href=\"http:\/\/www.kerkythea.net\/cms\/index.php\/downloads\/software\">Kerkythea rendering engine<\/a><\/em>. Ver. 2.0.19. Computer software. \u00a0Solid Iris Technologies, n.d. PC, 3.0MB, Web. 04 Apr. 2014.<\/li>\n<li>Solid Iris Technologies.\u00a0<em><a href=\"http:\/\/www.kerkythea.net\/cms\/index.php\/downloads\/software\">Kerkythea SketchUp Plugin<\/a><\/em>. Ver. 3.17. Computer software. \u00a0Solid Iris Technologies, n.d. PC, 52.7KB, Web. 04 Apr. 2014.<\/li>\n<li>Trimble Navigation Limited.\u00a0<a href=\"http:\/\/www.sketchup.com\/products\/sketchup-make\"><em>SketchUp Make<\/em><\/a>. Ver. 2014. Computer software. Trimble Navigation Limited, 2014. PC, Web. 04 Apr. 2014.<\/li>\n<\/ul>\n<p><strong>Research materials related to project management<\/strong><\/p>\n<ul>\n<li>Denard, Hugh.\u00a0<em><a href=\"http:\/\/www.londoncharter.org\/\">The London Charter: For the Computer-based Visualisation of Cultural Heritage<\/a><\/em>. N.p.: n.p.,\u00a02009. Web. 11 Oct 2013.<\/li>\n<\/ul>\n<p><strong>Other cited resources<\/strong><\/p>\n<ul>\n<li>Denard, Hugh.\u00a0<a href=\"http:\/\/blog.oldabbeytheatre.net\/\"><em>Abbey Theatre, 1904: Digitally Reconstructing Dublin\u2019s Original Abbey Theatre<\/em><\/a>. Trinity College Dublin Long Room Hub and NOHO, 2011. Web. 13 March 2014.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Research materials related to Edward Gordon Craig&#8217;s &#8216;screens&#8217; concept Buckley, Jennifer.\u00a0Print, Performance, and the European Avant gardes, 1905-1948. New York:&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-4","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/craigscreens.blog.oldabbeytheatre.net\/index.php?rest_route=\/wp\/v2\/pages\/4","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/craigscreens.blog.oldabbeytheatre.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/craigscreens.blog.oldabbeytheatre.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/craigscreens.blog.oldabbeytheatre.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/craigscreens.blog.oldabbeytheatre.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4"}],"version-history":[{"count":10,"href":"https:\/\/craigscreens.blog.oldabbeytheatre.net\/index.php?rest_route=\/wp\/v2\/pages\/4\/revisions"}],"predecessor-version":[{"id":999,"href":"https:\/\/craigscreens.blog.oldabbeytheatre.net\/index.php?rest_route=\/wp\/v2\/pages\/4\/revisions\/999"}],"wp:attachment":[{"href":"https:\/\/craigscreens.blog.oldabbeytheatre.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}